The Color Purple is a book about, among other things, identity. It tells the story of Celie who struggles to find herself despite her family’s poverty and abuse in rural Georgia during the early 1900s. She learns that she can be more than just a woman in labor with babies for sale on the market: she can create an alternate world where love prevails over pain, beauty over ugliness; even if that world is only imaginary. The novel has been adapted into film twice and TV six times
The “the color purple critical analysis” is a book summary of Alice Walker’s novel, The Color Purple. The book discusses themes such as racism and sexism.
Are you seeking for a synopsis of Alice Walker’s The Color Purple? You’ve arrived to the correct location.
After reading Alice Walker’s book, I wrote down a few crucial takeaways.
If you don’t have time, you don’t have to read the whole book. This book synopsis summarizes all you can take away from it.
Let’s get this party started right now.
I’ll go through the following points in my synopsis of The Color Purple:
What is the significance of the color purple?
The Color Purple is a contemporary American literary classic that depicts the life of African American women in rural Georgia during the early twentieth century. Through their childhood separation, Celie and Nettie stay devoted to and optimistic for one another despite time, distance, and silence.
The work brings readers into the experiences and lives of Celie, Nettie, Shug Avery, and Sofia via a sequence of twenty-year-old letters, first from Celie to God and then from the sisters to each other.
The Color Purple shattered the silence around domestic and sexual violence by telling the lives of women through their sorrow and struggle, friendship and development, resilience and courage.
Alice Walker’s epic is a wonderfully envisioned and truly empathetic journey towards redemption and love.
One of our favorite The Color Purple quotations is:
“Don’t let them run you down… “You must fight.”
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Who is The Color Purple’s Author?
Alice Walker was born in Eatonton, Georgia, in 1944. One of eight siblings. Her father was a sharecropper, and his mother worked as a maid, which she adored much. Walker is a poet, writer, and essayist who identifies as a feminist.
Spelman College was where she studied (Atlanta). In the South, she worked for voting rights, while in New York, she worked as a poverty caseworker. Dedicated to the battle against racism and sexism.
The Third Life of Grange Copeland (1970), Revolutionary Petunias and Other Poems (1973), Meridian (1976), You Can’t Keep a Good Woman Down (1981), and In Search of Our Mothers’ Gardens: Womanist Prose (1983) are some of his works (1983). The Color Purple was awarded the Pulitzer Prize and the American Book Award in 1983, and it was adapted into a film in 1985.
Walker is a staunch believer in spiritualism and psychical occurrences; she dedicated The Color Purple to “the Spirit,” and she labels herself as “author and medium” in the novel’s postscript. Walker is regarded as one of the most influential black authors of the twentieth century.
Summary of The Color Purple
A young black lady who has been raped and mistreated finds self-respect and happiness through the love of another woman.
LETTERS 1–16
A young Southern black lady called Celie has been sexually molested by Alphonso (“Pa”), the man married to her mother, in a tiny rural hamlet outside Milledgeville, Georgia.
“It’d kill your mammy,” Alphonso has advised her not to tell anybody about the events. Celie is scared to inform anybody since she blindly believes what she is taught. She instead sends letters to God, hoping that He would help her overcome her difficulties.
Celie’s mother curses her and wonders who the father is when she falls pregnant with Alphonso’s kid. Celie had a daughter named Olivia, but Alphonso kidnaps her and subsequently says that he murdered “it.” Celie’s mother dies before she gives birth to Alphonso’s second child, a boy whom Alphonso sells to a grateful couple in the neighboring town of Monticello.
Mr.—, a member of Celie’s church, is interested in marrying Celie’s younger sister, Nettie. He is in love with Shug Avery, a blues musician, and has six children from his late wife, but he needs a woman to oversee his family. Mr.— would not marry Nettie because she is too young; instead, Alphonso proposes Celie, stating that she is unattractive but hardworking. Mr.— marries Celie three months later, and on the day of their wedding, his four rowdy children welcome her by bashing her in the head with a rock.
Celie is in town one day when she spots a youngster she recognizes as her daughter. She approaches the child’s mother and inquires about the name of the young girl. Olivia is the name of the kid, who is now the daughter of Corrine and her husband, the Rev—
Nettie moves in with Celie, but when she resists Mr.overtures, —’s he forces her to leave. Celie advises Nettie to look for employment at Olivia’s new parents’ house, and the sisters agree to write to each other. Mr.sister, —’s Kate, instructs Harpo, Mr.17-year-old —’s son, to assist Celie with the tasks. “Women work,” he says. Kate retaliates, calling him “a petty nigger,” and tells him to go to work.
Celie is warned to fight back against the males, but “don’t say anything,” she says. Harpo adores Sofia Butler, a strong young lady whom he intends to marry. He inquires as to why his father abuses Celie, to which Mr.— responds, “Because she is my wife.”
Shug Avery arrives in town, and Celie is taken aback by his attractiveness when she sees the advertising posters. Mr.— goes to hear Shug sing and returns heartbroken.
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LETTERS 17–35
Sofia and Harpo marry and move into the modest stream cottage that Mr.— had used as a shed when Sofia gets pregnant. Harpo hits Sofia to force her to follow him on his father’s suggestion, but Sofia fights back and bruises him.
Harpo becomes obsessed with food and prefers working on his home over laboring in the fields. Sofia refuses to remain his slave, despite his best efforts.
Mr.— takes Shug Avery, the “Queen Honeybee,” home to care for her when she falls unwell. Shug laughs at Celie’s ugliness when she first sees her, but Celie falls in love with her nevertheless. Celie trembles and believes she’s changed into a guy while giving Shug a bath since she’s so fascinated by his bare physique. Celie has someone to love for the first time since Nettie departed.
After a few years, it’s obvious that Harpo and Sofia will never be happy together. Sofia and her two children are moved into the home of one of her sisters, Odessa. Harpo installs a juke joint six months later, and although business is poor at first, it picks up when Shug offers to “grace it with a song.”
She performs a song called “Miss Celie” one night, and Celie is affected. Celie is noncommittal when Shug asks whether she cares if she and Mr.— (whom she names Albert) sleep together, admitting that she finds sex with males dull.
LETTERS 36–51
Shug remains at Mr.home —’s for a few months as she strengthens, then goes on tour. Sofia (who now has six children) shows up to the juke joint one night with Buster, a prize boxer. Harpo’s new lover, Squeak (real name Mary Agnes), strikes Sofia after he dances with her. Sofia, enraged, punches her in the face and then walks away.
Miss Millie, the mayor’s wife, approaches Sofia when she is out shopping a few days later. The mayor smacks Sofia for saying, “Hell no.” Sofia throws him down and is severely beaten by the police before being arrested and sentenced to 15 years in prison. Her body has been severely damaged, and her willpower has been shattered.
Squeak and Harpo alternate caring for the youngsters with Odessa. Sofia is recruited as the mayor’s maid by Squeak, whose uncle is the prison warden, and she stays there for 1112 years without seeing her own family.
Shug, who is married to a mediocre guy called Grady, pays a visit one Christmas morning. Celie is comforted by Shug after tearfully telling him she was raped as a youngster, and the two make love.
Shug recalls witnessing Mr.— steal letters from the mailbox “with odd stamps” and believes he has been concealing Nettie’s letters for years when Celie laments not hearing from her sister. Nettie’s most recent letter, stamped in Africa, in which she assures Celie that she loves her, that Celie’s children are doing well, and that they would soon be returning to America, is intercepted by Shug. Mr.trunk —’s later contains hundreds of Nettie’s letters, which Celie and Shug uncover.
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LETTERS 52–676
According to Nettie’s letters, as she left Celie’s residence many years ago, she was pursued by Mr.—, who attempted to rape her. Mr.— promised that Celie would never hear from Nettie again when Nettie fought him off.
She went to meet Rev.— (Samuel), the husband of Corrine (the lady Celie had met in town), and discovered that they had adopted Celie’s two children, Olivia and Adam. They invited Nettie to join them as missionaries on their journey to Africa.
The five of them had spent many years in Africa with the Olinka people, who revere the roofleaf plant, which is used to make their hut roofs. Corrine had been envious of Nettie’s children with Samuel because of their likeness to Olivia and Adam.
But Samuel recounted how the children had come to him: Celie and Nettie’s father, a rich African American shop owner, had established a lucrative dry-goods store that had challenged several of the town’s white companies.
Some white folks lynched him and set fire to his business one night. After his death, his widow (Celie’s mother) went insane, although she subsequently remarried (to Alphonso), bringing her two children with her. Her second husband said that his “wife” could no longer care for the two babies (Celie’s) and brought them to Samuel.
LETTERS 68–79
Celie and Shug pay a visit to Alphonso, who is now living in a lovely new home with his new wife, Daisy. After reopening Celie’s father’s shop, he became wealthy. Nettie claims to have informed Corrine that she is the children’s aunt. Corrine has been sick for a long time, and just before she dies, she accepts Nettie’s explanations.
Sofia has been working for the mayor’s family for over 12 years and is now on parole. Celie chooses to stop writing to God and instead write to Nettie. Shug claims that God is a “It” who loves people who respect the world “It” created, rather than a white guy in a church who demands obedience.
Shug informs Mr.— that she is going and will be bringing Celie with her to Tennessee when the time is right. When Mr.— disagrees, Celie eventually responds by saying she will no longer accept his abuse. Squeak joins them in the hopes of launching her singing career, and Sofia promises to look after Harpo and Squeak’s little daughter, Susie O.
Celie curses Mr.— for keeping her and Nettie apart before departing. “You dark, you pore, you ugly, you a woman… you nothing at all,” he says angrily. “But I’m here,” Celie says, confident in her own skin.
They travel to Shug’s residence in Memphis, where Celie sews trousers to work off her rage against Mr.— while Shug is on the road. She soon develops a company called “Folkspants, Unlimited.” Celie goes home after Sofia’s mother passes away to discover Mr.— has changed.
He had sunk into a sadness following Celie’s departure, until Harpo’s affection taught him the value of caring for others. Harpo and Sofia have reunited and moved into a new home near the juke joint. Grady and Mary Agnes (Squeak) have fallen in love and spend much of their time using marijuana; they will soon go for Panama together.
LETTERS 80–86
Nettie informs Adam and Olivia that she and Samuel have married and that she has informed them about Celie. Meanwhile, Adam is concerned about Tashi, an Olinka lady he adores; she wants to undergo the painful facial scarification procedure to express unity with her people, but Adam considers it barbarous.
When Alphonso dies, Celie finds that their father has left the home and land to her and Nettie. Celie stays there for the summer, beautifying the home and sleeping in her purple room.
When she arrives to Memphis, she is devastated to learn that Shug has Germaine, a 19-year-old lover. Celie goes home, feeling left out, to care for Sofia’s daughter, Henrietta, who has a blood condition.
Celie gets a telegram one day, while still expecting that Nettie would come to America despite the fact that World War II has started, informing her that Nettie’s ship, bound for America, has been destroyed by Germans. Celie, on the other hand, continues to receive letters from Nettie and does not think she has perished.
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LETTERS 87–90
Celie and Mr.— eventually like one other after chatting about their love for Shug. In one of Nettie’s letters, Celie learns that Adam, too, has undergone scarification in order to satisfy his wife, Tashi.
Celie creates a clothes boutique in the same location as her father’s and employs Sofia to work there while Harpo remains at home with Henrietta. Mr.— sews shirts to match Celie’s slacks, and Eleanor Jane, the mayor’s daughter, cooks for her.
Shug returns, her lover having left for college. A vehicle pulls up to the home one evening, and it’s Nettie, Samuel, and the kids, who are all sat on the porch after supper. Celie and Nettie fall into each other’s arms in a sorrowful but joyful reunion, having endured years of anguish and separation through the strength of hope and love.
Additional Reading
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The “the color purple setting” is a book by Alice Walker. It tells the story of Celie, an African-American woman who has been abused and mistreated her whole life. The novel was published in 1982, and it won the Pulitzer Prize for Fiction in 1983.
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